The dispatcher had done this long enough to believe she’d heard every kind of fear a human voice could carry.

She’d listened to callers scream until their throats went raw. She’d heard people curse, bargain, pray, go eerily calm in the middle of catastrophe like their minds had flipped a switch just to survive. She’d heard adults lie to sound brave, and she’d heard the kind of silence that meant someone was bleeding where they couldn’t see it.

But on a cold October day, with wind rattling thin glass somewhere at the far end of the line, a child’s whisper arrived that made her fingers pause above the keyboard as if the keys had turned to ice.

“My baby is fading,” the little voice said.

And then the whisper cracked—just a fracture, quickly swallowed—like the girl believed crying would waste time she couldn’t afford.

The dispatcher softened her tone the way she always did when a caller was small, because softness could be a rope. Softness could keep someone from falling.

“Honey,” she said, carefully, “tell me your name.”

“Juniper,” the girl whispered. “But everyone calls me Juni.”

“Okay, Juni. How old are you?”

“Seven.”

A pause, and behind it—so faint the dispatcher had to lean closer to the headset—came an infant’s cry. It wasn’t the strong protest of a hungry baby. It was thin, strained, the kind of sound you hear when a body is trying to ask for help with whatever strength it has left.

The dispatcher’s hand moved toward the send button.

“Whose baby is it, sweetheart?”

Juni answered as if the truth was obvious and heavy at the same time.

“Mine,” she said, then rushed to correct herself, panic spilling through the words. “I mean—he’s my brother. But I take care of him. And he’s getting lighter every day. He won’t drink. I don’t know what else to do.”